A Dark Age for Medievalists
KalamazooRead it all.
Standing before an audience of about 25 academics, all professors and graduate students specializing in the Middle Ages, in a chilly classroom on the vast campus of Western Michigan University in Kalamazoo, Jeff Persels, a lanky associate professor of French and director of European studies at the University of South Carolina, was reading aloud a scholarly paper at the 43rd International Congress on Medieval Studies. The paper's title was "The Wine in the Urine: Managing Human Waste in French Farce." The paper was about, well, the wine in the urine, or perhaps the urine in the wine. Its topic is a 15th-century farce, or lowlife comic drama, about an adulterous wife who uses a wine bottle as an impromptu chamber pot, with predictably gross results involving her husband and her lover.
Persels's paper didn't discuss the play simply as an example of Rabelaisian-style scatology, however. The perspective he used was the postmodernist discipline of "cultural studies," which means pushing works of literature (or movies or television shows or ad campaigns or whatever) through a Marxist cheesegrater as examples of the way society conditions its members to accept the views of a dominant class. In Persels's view, the wine-bottle farce marked a stage in the development of what he called the "bourgeois fecal habitus." Translated out of postmodern-ese into plain English, that means the tendency of uptight middle-class people not to want to talk in public about matters pertaining to the bathroom and to assume that those who do are kind of crude. "The excretory experience became associated with the proletariat," Persels explained. Although he seemed eager to demonstrate that he personally didn't share those uptight middle-class views, at least one of the academics in his audience remained unconvinced that a secret bourgeois habitus didn't lurk underneath his antinomian veneer. "Excretory?" she whispered to a fellow medievalist sitting next to her. "Why doesn't he just say s***?"
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